Making Room for Abolition is a body of work that imagines a world without police and prisons by making speculative worlds through the lens of a home. This work explores the contours of possible abolitionist worlds by crafting speculative domestic artifacts; imagining, writing and reading speculative stories; and interweaving those dispatches from abolitionist imaginaries with conversations about present-day abolitionist practices.

This work and many of the artifacts collected here first materialized as an installation of a living room from a world without police and prisons at Red Bull Arts in 2021.

About this Site

This website is an archive of abolitionist realities—futures and alternate presents—expressed as artifacts, dispatches, and essays. It presents a distributed storytelling project comprised of three different types of media that are connected in various ways: 

  • Artifacts are specific objects and sounds from (various) abolitionist realities, they may be situated in alternative pasts, presents, or futures; 

  • Essays are big-picture thematic narratives that bring artifacts in conversation with real-life interviews with abolitionist organizers, other references, soundscapes;

  • COMING SOON

    Dispatches are short stories that offer a glimpse into the world(s) in which these abolitionist realities are imagined;

Contributors

Lead Artist | executive producer

Lauren Williams (she/they) is a Detroit-based designer, researcher and educator. They work with visual and interactive media to understand, critique, and reimagine the ways social and economic systems distribute and exercise power over Black life and death.

Co-Producer | essays

Ayinde Jean-Baptiste (he/him) is an organizer turned strategist whose work is story-driven: cultivating and protecting people's voices and self-perception as capable of changing their environments or circumstances. As a multimedia storyteller, they use voice to shift culture, engaging with communities through listening, memory-making, and movement.

audio engineer

Conor Anderson (he/him) is an Audio Engineer and Producer for 101.9 WDET, ensuring quality audio content for the station from underwriting to live bands, podcasts, and broadcasts. Before joining WDET, Anderson was an ethnomusicological documentarian and the lead audio engineer for Red Bull Radio Detroit. He is a graduate of The University of Michigan, where he received a degree in Sound Media and Culture. 

Web Designer

Em Woudenberg (they/them) of Strike Design Studio offers frank consultancy and striking solutions for print and screens. With over a decade of experience, they have worked with notable brands and have exhibited their work across the world.

Studio Photographer

Radical Play, led by Na Forest Lim, they/them, is a photo and film studio that makes art to share unique + beautiful truths of Detroit artists, BIPOC, queer, disabled, immigrants, sex workers, & other marginalized individuals. Their creative purpose is to shift unbalanced personal narratives and transform societal issues.

Acknowledgments

This work, from 2021 through today, was made possible with funding from the Detroit Justice Center, Art 4 Justice Fund, The Center for Cultural Power, Race Forward, and Taubman College of Architecture and Urban Planning.

Essay
Safety & Interdependence: Part 2
Disappearance
December 4, 2024

Something sinister ties the pristine to the policed: landscapes, bodies, and the neighborhoods born from their mingling. In this second meditation on safety & interdependence, thoroughly cited from both academy & community, Williams draws our focus to disappearance as an evolving method. Put another way, employing violence workers to delete the native, the trafficked, the poor is American as cherry pie, and the attendant systems of prison and policing may actually be working just as designed. What would our world look like if we reconstituted safety as connectedness, freedom as togetherness? Will there even be a world if we don’t?

Essay
Safety & Interdependence: Part 1
Alienation from Ourselves, Each Other, and Our Needs
November 20, 2024

Joined by a chorus of voices and visionaries, Detroit-based artist Lauren Williams invites us to consider roadmaps to futures we hope for, through a focus on the everyday & the contradictions of neoliberal philosophy. Should everything really be for sale, will the market protect the worthy? First, a foundation: How do our ways of working separate us from our power and possibility? What exactly is neoliberalism, how did it become the dominant social and economic logic of U.S. civil society? What does any of this have to do with abolition? To answer that last question first, it comes down to criminalization and control. Detroit’s 2013 bankruptcy and civic fights about water access serve as examples of how accepting a logic of separation weakens our ability to challenge social problems that affect people in very connected ways. Williams illuminates the short path from privatization to deprivation, before limning the difference between the state’s compulsion to watch & the human need to be seen.

Essay
Introducing
Carceral Fictions & Abolitionist Realities
November 13, 2024

Welcome to Carceral Fictions & Abolitionist Realities, a series of narrative essays that reflect on emergent themes from conversations with Detroit-based organizers and futurists committed to abolition of police and prisons. Interweaving research with brief dispatches from speculative abolitionist futures, each episode draws together the voices of people working toward food justice, water access, educational equity, restorative justice, and Black liberation to connect thematic currents surrounding the abolition of police and prisons. In each episode, we look closely at the kinds of fictions that shape our current attachments to policing, prisons, and punishment to examine where they come from and how they affect us. At the same time, you’ll hear us explore abolitionist realities that counter these fictions and open up other ways of being.